We’ve seen Pinnacle’s popular video-editing program, Studio, return year
after year with minor tweaks and additions. This time, however, there’s
something different going on.
Pinnacle was acquired by Avid in 2005 but, aside from a little rebranding,
the new parent company’s influence on this entry-level product has so far been
minor.
Instead, many of the changes in the new-look Studio come courtesy of a
previous acquisition – the German video-editing software company Fast, whose
Liquid Edition now provides the engine that runs Pinnacle’s program.Essentially
this is good news for Studio users.
Liquid Edition’s technology is, says Pinnacle, more powerful. More
importantly, it’s also more stable than Pinnacle’s own notoriously flakey Studio
code. Stability is, of course, difficult to measure.
The program certainly didn’t fall over while we were testing it, but only
time will tell whether Pinnacle’s claims are well-founded.Studio is now
available in a range of different permutations.
At £50, plain old Studio is the entry-level, budget version, with cut-down
features and simplified workflow. Pinnacle Studio Plus is aimed at slightly more
adventurous users.
For an extra £20 it gives you a number of additional filters, effects and
transitions, as well as two layers of video in the timeline and compatibility
with a range of high-definition video formats. HD (High Definition)
compatibility is definitely a plus point but is unlikely to sway anyone other
than semi-pros at the moment. It’s good to have HD on board nonetheless,
especially when it has been integrated so seamlessly.
Both Studio and Studio Plus can be purchased as software-only products or in
tandem with either an internal or external capture device. The external solution
is of particular note since it features a bidirectional Firewire to USB2
converter.
Given that all PCs have USB and all camcorders have Firewire, but not
necessarily the other way round, this innovation falls into the ‘why hasn’t
anyone thought of this before?’ category.
We tested the software-only version of Studio Plus, which provides just about
everything that any desktop video editor would ever need, from capturing to
editing, right through to outputting your finished work.
The program’s interface has been left largely unchanged since version 9,
aside from a slight scrub-up. Generally speaking this is a good thing, since the
trio of timeline, preview window and context-sensitive, tabbed album window is a
winning combination. Even the most inexperienced will find it hard to go wrong
here.
Pinnacle also provides wizards for many tasks and includes its own take on
the now obligatory one-click automated movie-editing option, called
Smartmovie.The most welcome improvements in Studio 10 are often the most subtle.
Audio scrubbing in the timeline, for instance, is very useful, as is the
ability to maintain the audio pitch whenever you slow down or speed up a clip.
Even better is the fact that most effects can now be implemented using
keyframes, which allows for much tighter control.
Perhaps the best improvement, however, is the way in which it provides
realtime, full-resolution previews by leveraging the graphics card’s GPU and
memory, rather than the main system CPU – another relatively simple innovation
that could make an enormous difference to a lot of users.
If you’re after a video editor that’s easy to use yet feature-rich, Pinnacle
Studio 10 is definitely a package worth considering.
System requirements
Windows XP
1.4GHz processor
512MB of Ram
1GB hard disk space (3GB for bonus materials)
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